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ProRes Video Data Rate Calculator

Calculate your ProRes data rate and storage needs for your next shoot

We love ProRes and you can read why we love ProRes here. Our easy-to-use ProRes video data rate calculator makes figuring out your bandwidth and storage requirements for shooting ProRes a snap. Whether you’re shooting on a BMD Cinema Camera, Arri Alexa, or a ProRes capture deck, this tool will help you figure out how much you need for your shooting needs.

ProRes Video Data Rate Calculator

About This Calculator

Our ProRes Video Data Rate Calculator is designed to help video professionals estimate the storage requirements for their projects when working with various Apple ProRes codecs. While ProRes codecs offer exceptional quality and performance, the actual file sizes can vary significantly depending on factors like resolution, frame rate, and the complexity of the scene. Please note that this tool is designed to calculate video data rates and corresponding storage requirements and provides estimates only. It is not a substitute for real-world testing.

Why Choose Apple ProRes?

Apple ProRes has become a gold standard in the video production industry due to its ability to deliver high-quality video while maintaining efficient data rates. The ProRes family includes a range of codecs, from ProRes 422 for everyday editing to ProRes 4444 and ProRes RAW for high-dynamic-range (HDR) and color-sensitive workflows. With support for both lossy and virtually lossless compression, ProRes enables real-time, multistream editing and is compatible with a wide variety of resolutions, from standard definition (SD) up to 8K. This makes ProRes an ideal choice for professionals looking for a balance between quality, performance, and storage efficiency.

Notice: ProRes RAW and ProRes RAW HQ

ProRes RAW and ProRes RAW HQ offer unmatched flexibility for post-production workflows by capturing raw sensor data with minimal compression. Unlike traditional ProRes formats, which use lossy compression, ProRes RAW maintains the full dynamic range and color fidelity of the original footage, making it ideal for high-end color grading and extensive visual effects work.

Although ProRes RAW and ProRes RAW HQ produce larger file sizes than standard ProRes codecs, they are significantly smaller than uncompressed 12-bit RAW formats, providing a more efficient storage solution without sacrificing the quality needed for professional-grade projects. The actual file size can vary based on factors such as sensor type, bit depth, resolution, frame rate, and scene complexity. As a result, it’s crucial to account for these variables when planning storage for ProRes RAW workflows. We recommend performing test shoots to gauge the specific storage requirements based on your equipment and settings.

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